Ssssssomething a little different

I'm trying to find more local teaching. Rather than having the same old boring poster for piano lessons I thought I'd advertise a bit differently...




I've chopped off the bottom line for security reasons as I don't want my telephone number all over the internet, but please leave a comment or contact me via twitter if you are interested in lessons!

The week ahead, the year ahead.

It's Monday, just barely. I've had a good couple of days of teaching, and got back to Trinity for the first time in 2009 today.

I have a lunchtime recital to play in next Wednesday, so most of my practising goals this week are related to making sure I'm in good form for that. This means lots of long, gentle warm-ups, lots of mental study of the pieces I'll be playing and lots of playing through the pieces in their entirety, both to cement my memory and to keep my endurance up. This latter is quite important as I had a few days off playing last week.

The lunchtime recital on 14th January will be at St John on Bethnal Green, 200 Cambridge Heath Road. Repertoire will be:

Dunhill: Cornucopia - Six Miniatures (horn and piano)
Butler: Hunding (unaccompanied horn)
Debussy: two of the Preludes for piano
Beethoven: Sonata Op. 17 (horn and piano)

I also need to get some programme notes sorted out, and make a poster to put up!

Most of tomorrow will be spent in sectional rehearsals for Wind Orchestra (which always reminds me of my teacher in Lethbridge, Dr Tom Staples, saying, "It's a band, folks!"). This band is playing some of the usual Ralph Vaughan-Williams but also Messiaen and some other challenging works.

Other projects I'll be working on this week include some last bits of planning and publicity for my Year 4 Project (I'm still waiting on date confirmation so not announcing anything just yet!), and writing a cadenza for the Gliere concerto which I'll be playing in the Soloists Competition on 25th January. And I want to get things sorted out for teaching a horn scales class again: we had one session last term and it went well, but I can't cover twelve keys (and their relative minors) in two hours and also teach thoroughly, so these need to happen on a weekly basis if they're going to be of any use to anyone.

I've also been offered a serpent. No, not the infamous reptile that once got Eve into a spot of trouble, but the musical instrument. I have been singing with the London Gallery Quire for most of the last term and enjoyed it heartily; now it seems I will be their serpentist. More on this after I actually meet the instrument in question on Wednesday night! I have wanted a serpent for some time, you might even say I have been tempted by them, but before Sunday afternoon I did not get a chance to play one. Now I've played one for probably the better part of 45 minutes.

So, that's the week ahead. I believe it's also traditional, with the new cycle of the arbitrary Gregorian calendar we use to mark time in the West, to think and write of the year ahead.

The year ahead... well, the first half of it is a matter of trying to get this degree finished without too many catastrophes. The second half of it will be the transition from being a good-for-nothing student with hardly any free time to being a good-for-nothing musician with a bit more free time. I think they call it a "portfolio career" these days. For me, that means more teaching, hopefully some of it in schools and some of it privately, and trying to keep some performance (particularly chamber music) going, perhaps with organisations like Live Music Now. It means I'll have time to learn things as and when I'm interested in learning them and have the spare brain cycles, rather than keeping to a set syllabus: I'm very, very glad I ended up at Trinity but I am looking forward to the freedom of dipping into one thing or another at my leisure and pleasure! I'll also be moving house at some point this summer. I cannot keep a serpent and three horns in this flat indefinitely, and I want somewhere that I'll be able to start teaching from home, and preferably a garden too. But really, for now, it's a focus on academic work from now until around June, and after that I'll relax, take some deep breaths, and see what happens.

Here comes the weekend again...

I have been rather tired since Tuesday night's performance.

Yesterday was quite good. I made some progress in my practising, which is always encouraging. I rehearsed the Brahms trio, and played a bit of jazz with the pianist when we had to switch rooms. I got an assignment handed in and had a useful horn lesson.

Then I went home and made cookies, because I'd promised a dozen cookies each to players who could come and make up a wind quintet for arranging class this afternoon.

Today was similarly useful. More practising, which went well; a meeting with student services, some bits of paperwork (oh why is there always more paperwork?), a brief chat with Angela Myles Beeching regarding career-related things (I will very likely end up buying her book, Beyond Talent; I had a flip through the reference-only library copy yesterday and it seems like a useful thing to have on hand), and then off to arranging class with the cookies.

I do, so I'm told, make very good cookies. Sadly even this level of temptation was not enough to coax a clarinet player away from a masterclass with Gervase de Peyer, and rightfully so. Result? I have a lot of cookies to give away, and we'll have to record wind quintets next week instead... which means next week I'll be making cookies again.

My plans for tomorrow are to rest a lot. I've had to skip out of some social things to do this, but it's a little too close to exam time to let myself get run-down.

As much as I'd like to be writing a 'serious' blog with serious articles about serious subjects, this is very much turning into a personal diary. I do have some ideas for more intellectual content, particularly on the subject of copyright, but I've been quite short on the time and energy to develop them.